{"product_id":"ap_24606","title":"La volonté du peuple pour la paix ne peut être brisée ! 1971","description":"\u003cp data-start=\"152\" data-end=\"693\"\u003eThis powerful 1971 poster by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVictor Koretsky\u003c\/span\u003e\u003c\/span\u003e exemplifies the confrontational and symbolic visual language of late Soviet propaganda. Created during the height of the Cold War, it stages a dramatic physical and ideological clash between two figures: a civilian worker and a militarized opponent. The worker, depicted with determination and strength, forcefully restrains the soldier, preventing him from striking with a sign marked by a distorted cross-like symbol—suggesting fascism, militarism, or oppressive ideology.\u003c\/p\u003e\n\u003cp data-start=\"695\" data-end=\"1114\"\u003eThe slogan at the bottom, \u003cem data-start=\"721\" data-end=\"756\"\u003e“Волю народов к миру не сломить!”\u003c\/em\u003e (“The will of the people for peace cannot be broken!”), encapsulates the central message: peace is presented not as passive, but as something actively defended by the collective will of ordinary people. This reflects a recurring theme in Soviet visual culture—peace as a moral and political struggle against perceived aggression, particularly from the West.\u003c\/p\u003e\n\u003cp data-start=\"1116\" data-end=\"1472\"\u003eKoretsky, known for his emotionally charged and often stark compositions, uses close-up confrontation to intensify the scene. The tight framing eliminates distractions, focusing entirely on the tension between the two figures. Their locked arms and opposing gazes create a sense of immediacy, as if the viewer is witnessing a decisive moment of resistance.\u003c\/p\u003e\n\u003cp data-start=\"1474\" data-end=\"1905\"\u003eThe color palette is deliberately restrained—dominated by cold blues, blacks, and whites—contrasting sharply with the emotional intensity of the figures. This stylistic choice heightens the dramatic impact while reinforcing the seriousness of the theme. In the background, a small group of demonstrators holding peace signs hints at a broader movement, suggesting that this struggle is collective and global rather than individual.\u003c\/p\u003e\n\u003cp data-start=\"1907\" data-end=\"2292\"\u003eProduced in 1971, the poster reflects international tensions of the era, including protests against war and nuclear escalation. Soviet propaganda frequently positioned the USSR as a defender of peace, contrasting itself with what it portrayed as aggressive capitalist powers. In this context, the worker symbolizes the people, while the soldier represents the forces threatening peace.\u003c\/p\u003e\n\u003cp data-start=\"2294\" data-end=\"2570\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eUltimately, this poster transforms a simple physical struggle into a broader ideological statement. Through Koretsky’s striking visual language, the image asserts that the desire for peace is resilient and unstoppable—rooted in the unity and strength of the people themselves.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003ePropaganda - Cold War - USSR - Russia\u003c\/p\u003e\n\u003cp\u003eGood condition, small tears, one small hole\u003c\/p\u003e","brand":"Koretsky Victor","offers":[{"title":"80 x 113 \/ A-","offer_id":53552886645063,"sku":null,"price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_24606Insta2.jpg?v=1776785033","url":"https:\/\/galerie-1881.myshopify.com\/en\/products\/ap_24606","provider":"Galerie 1881","version":"1.0","type":"link"}